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Oriental Calligraphy Movement In Australia - Essay Example

Summary
This particular essay 'Oriental Calligraphy Movement In Australia'  briefly looks at the history of the movement about its formation and composition. It goes ahead to involve the discussion about the activities concerning the movement, its boundaries and location of operations…
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Extract of sample "Oriental Calligraphy Movement In Australia"

RIЕNTАL САLLIGRАРHY MОVЕMЕNT IN АUSTRАLIА Name Institution Instructor Date List of Contents List of Contents 2 1.0 Introduction 3 2.0 Activities and roles of the movement 4 3.0 Extent of movement operation 5 4.0 Modern Calligraphy 6 5.0 Oriental movement calligraphic styles and techniques 8 6.0 Conclusion 9 7.0 Reference 10 1.0 Introduction This particular essay on oriental calligraphy movement in Australia briefly looks at the history of the movement with regard to its formation and composition. It goes ahead to involve the discussion with regard to the activities concerning the movement, its boundaries and location of operations, the roles it play in the development of calligraphy as well as the techniques and styles it introduces. Calligraphy literally refers to writing that looks beautiful has been identified as a useful form of oriental art work in a variety of cultures that exist around Asia and other parts of the world. In the past, oriental calligraphy has been considered as a supreme form of visual art rather than just a form of art that decorates writings. The Australian Calligraphy Movement is among other calligraphy associations that were founded around 1980s. It has, since then, remained a very active movement including artists with a wide range and wealth of skills in lettering. The artists in this movement began from enthusiastic beginnings and they have increasingly improved and grown to become professionals in the area of calligraphy which involve book art as well as lettering. The oriental movement is operational from a Sydney based location and it has got members from the entire Australia as well as members from overseas. The movement is not necessary interested in profit making as its main objective but it plays a significant role in the boosting the profit making abilities and capacities of its members (Allen, 2010). 2.0 Activities and roles of the movement The oriental calligraphy movement can be joined by interested parties through the display and portray of excellence in the design of calligraphy and design. Various magazines and articles both within Australia and without have been able to address the topic of calligraphy with regard to the contribution and impact created on this topic by the activities of the oriental calligraphy movement in Australia. The details regarding the activities of this calligraphic movement especially in workshops have always been highlighted and made known in the public domain through the use of several publications. The oriental calligraphy movement participates in workshop activities over the weekend for one or two days on monthly basis where their skills and knowledge regarding the subject of calligraphy and other art works are demonstrated and appreciated. In most cases, these workshops present a good opportunity for interaction between the local people who are interested in calligraphy and calligraphy specialists from the international arena. This particular movement has been able to establish a library that has got an extended range of books as well as periodicals that address both the contemporary and traditional issues concerning calligraphy. This particular library is found to be useful by members of the movement as well as the non-members (Allen, 2010). The books and other articles in this particular library play a very significant role in enlightening the society with regard to the existence and use of calligraphy and other artworks. 3.0 Extent of movement operation The Australian oriental calligraphy movement incorporates a diversity of members and is committed to promoting and encouraging calligraphy as well as those crafts that are associated with calligraphy. The membership in this movement is not only restricted to individuals or calligraphers from Australia alone. It is open to other individuals and calligraphers from other parts of the world. This oriental calligraphy movement is in the forefront to champion for the welfare of those involved in calligraphy and other related arts as well as creating awareness among people. The activities of the calligraphic movement in mainly in Australia and other parts of the word has made calligraphy as an art to acquire a lot of values attached to it. For that reason, calligraphy has had its rank alongside items such as poetry as a means of cultivation and self-expression. In order to obtain a clear understanding of the manner in which calligraphy, through the oriental movement has been able to be placed in such a critical position with regard to art, it is important to take several factors into consideration (Allen, 2010). These factors include the changes in materials that are involved in doing calligraphy, the nature of scripts written as well as the significance accorded to literacy and writing in Australia. The inscriptions that were involved in writing art in the past were mostly done on oracle bone surface which caused the characters to lack linear variation as well as other prerequisite attributes that pertain to calligraphy. Even though it is confirmed through the evidence obtained from archeological sites that the writing materials used on bone were very primitive, it is not quite clear the exact time that they were introduced. The brushes as well as the writing surfaces used were found to be available in various sizes and shapes which played a role in determining the type and size of lines produced. According to the evaluation of the oriental calligraphy movements and its activities in Australia, the writings made in the course of this process majorly emphasize on the qualities that are associated with calligraphy like the function and appearance of various calligraphic works. With regard to the cultural aspects in Australia calligraphy movement have caused calligraphy as a form of writing art to become very popular. There is an emphasis regarding the manner and extent to which the expressive art of calligraphy and creative painting plays an important role in the actual calligraphic outcome product such as the compositional and working aspects of the art. However, this emphasis on the creative aspect of calligraphy goes an extra mile to cover the process of appreciation as well as reception obtained from calligraphic products courtesy of the roles played by the oriental calligraphic movement. 4.0 Modern Calligraphy The modernization of calligraphy through the involvement of activities that are championed by the oriental calligraphy movement in Australia involve inscriptions obtained through frictional hand lettering and design pieces of fine art where the expression of the abstract does not compromise on the legibility of the letters. The difference that exists between classical calligraphy and non-classical calligraphy is mostly brought about by the calligrapher involved in the creation calligraphy writings. The calligraphy movement has continually contributed to the establishment of forums that have given calligraphy opportunities to flourish. These opportunities include the celebration events such as wedding ceremonies, graduation ceremonies as well as the announcement and advertisement arts (Allen, 2010). Example of modern calligraphic work The major materials that are involved in modern calligraphy according to the oriental calligraphy movement include the writing material which has a round nib or a flat balled nib as well as a brush. However for other purposes that require decorative effects, steel brushes as well as multi-nib pens are applied. There are also calligraphic creations that have been produced with the use of ball-point pens as well as felt-tip pens. However, these creations do not make use of angle lines. The ink or paint that is used in calligraphic creations is usually formed from mixing by water and therefore has a lower viscosity in comparison to those that are formed through mixing by oil. Papers or the writing surface with a higher quality and with a porosity of the required consistency allow for the creation of writings and lines that are clearer and cleaner. The calligraphy creation materials may vary and acquired from a variety of sources of stationary in order to avoid the need to have them continually dipped into inkwells. 5.0 Oriental movement calligraphic styles and techniques The oriental movement calligraphy possesses some features that are special. These special features include the illumination of some of the letters, geometric depiction as well as decorative adjustments. The script that is used in Australian calligraphy is governed by very strict shapes and rules. Quality creation of calligraphic writings has got to have regularity as well as rhythm of letters. The letters should also be in possession of a geometrical order for lines in a particular page. The oriental movement calligraphic styles and techniques have been able to introduce the addition of value and meaning to the colors that are used to paint the calligraphic writings in order to make then attractively decorated. The content of the calligraphic work according to the techniques employed may not be properly legible but this may not be considered as meaningless by the one viewing it as well as the one working on it. Several themes as well as current variations are found to bring about a taste that is appreciated by both the calligraphers as well as the consumers of their products. The oriental calligraphy activities mostly in the Western countries are recognized due to the long time usage of Latin script. It is suggested that the appearance of the Latin alphabet was witnessed for the first time at about 600 BC in the city of Rome. The Latin alphabet later went through some developments and changes to become the Roman imperial capitals. In the two centuries that followed, a lettering style was introduced which was known as uncial technique of lettering. A variety of other styles and techniques associated with the oriental movement calligraphy have been found to make use of similar practices and tools (Allen, 2010). There is however a difference that exists in the form of the set of characters as well as preferences that is stylistic in nature. The sizes, shape as well as the type of ink brush with regard to the pattern of hair alignment as well as the density of water and the color of the pigment in the ink are the major physical parameters. Other parameters that are considered significant in the establishment or determination of calligraphy technic include the speed of water absorption by the paper or the surface for calligraphic work and also the texture of the paper or the surface on which calligraphy writings are made. The other one is the fact that the calligrapher brings about influence on the outcome of the calligraphic exercise by the amount of ink or water that is taken by the brush. The eventual accelerations speed and decelerations of the calligrapher at work crotchets, turns and moves to establish a character and lettering spirit through the great influence to the final shapes of the calligraphy lettering. 6.0 Conclusion In conclusion, activities and achievements realised in the area of calligraphy art as a result of involvement the oriental calligraphy movement in Australia include the in popularization of body calligraphy in relation to visual art and visual poetry. This kind of development in the field of calligraphy is achieved on the basis of different art interdisciplinary blended together. It is also clear from the discussion that there is need for further development and enhancement of the movements that are involved with maters with calligraphic development and improvement. 7.0 Reference ALLEN, S. M. (2010). The history and cultural heritage of Chinese calligraphy, printing and library work. Berlin, De Gruyter Saur. Read More

0 Extent of movement operation The Australian oriental calligraphy movement incorporates a diversity of members and is committed to promoting and encouraging calligraphy as well as those crafts that are associated with calligraphy. The membership in this movement is not only restricted to individuals or calligraphers from Australia alone. It is open to other individuals and calligraphers from other parts of the world. This oriental calligraphy movement is in the forefront to champion for the welfare of those involved in calligraphy and other related arts as well as creating awareness among people.

The activities of the calligraphic movement in mainly in Australia and other parts of the word has made calligraphy as an art to acquire a lot of values attached to it. For that reason, calligraphy has had its rank alongside items such as poetry as a means of cultivation and self-expression. In order to obtain a clear understanding of the manner in which calligraphy, through the oriental movement has been able to be placed in such a critical position with regard to art, it is important to take several factors into consideration (Allen, 2010).

These factors include the changes in materials that are involved in doing calligraphy, the nature of scripts written as well as the significance accorded to literacy and writing in Australia. The inscriptions that were involved in writing art in the past were mostly done on oracle bone surface which caused the characters to lack linear variation as well as other prerequisite attributes that pertain to calligraphy. Even though it is confirmed through the evidence obtained from archeological sites that the writing materials used on bone were very primitive, it is not quite clear the exact time that they were introduced.

The brushes as well as the writing surfaces used were found to be available in various sizes and shapes which played a role in determining the type and size of lines produced. According to the evaluation of the oriental calligraphy movements and its activities in Australia, the writings made in the course of this process majorly emphasize on the qualities that are associated with calligraphy like the function and appearance of various calligraphic works. With regard to the cultural aspects in Australia calligraphy movement have caused calligraphy as a form of writing art to become very popular.

There is an emphasis regarding the manner and extent to which the expressive art of calligraphy and creative painting plays an important role in the actual calligraphic outcome product such as the compositional and working aspects of the art. However, this emphasis on the creative aspect of calligraphy goes an extra mile to cover the process of appreciation as well as reception obtained from calligraphic products courtesy of the roles played by the oriental calligraphic movement. 4.0 Modern Calligraphy The modernization of calligraphy through the involvement of activities that are championed by the oriental calligraphy movement in Australia involve inscriptions obtained through frictional hand lettering and design pieces of fine art where the expression of the abstract does not compromise on the legibility of the letters.

The difference that exists between classical calligraphy and non-classical calligraphy is mostly brought about by the calligrapher involved in the creation calligraphy writings. The calligraphy movement has continually contributed to the establishment of forums that have given calligraphy opportunities to flourish. These opportunities include the celebration events such as wedding ceremonies, graduation ceremonies as well as the announcement and advertisement arts (Allen, 2010). Example of modern calligraphic work The major materials that are involved in modern calligraphy according to the oriental calligraphy movement include the writing material which has a round nib or a flat balled nib as well as a brush.

However for other purposes that require decorative effects, steel brushes as well as multi-nib pens are applied.

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