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Venus in Two Acts - Essay Example

Summary
This essay "Venus in Two Acts" presents Venus in two acts as an analysis of the archive of Venus of the wrestlers and the Atlantic slavery. Venus resembles the enslaved woman in the Atlantic World which shows the terror and pleasure convergence in the slavery libidinal economy…
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Extract of sample "Venus in Two Acts"

Venus in two acts

Venus in two acts is an analysis of the archive of Venus of the wrestlers and the Atlantic slavery with the lack of ability to discover anything that is yet to be stated. Venus resembles the enslaved woman in the Atlantic World which shows the terror and pleasure convergence in the slavery libidinal economy plus the history intimacy with the literature excess and scandal.

The imagery brought out by Venus is the figure of a slavery dead girl who was named in a legit indictment over a captain of a slave ship who was tried due to killing two Negro girls. It was easy for him to be found in the ledgers of the ship in the debt tally or the overseas journals. Black Venus is described as a girl where no one would remember her name nor was there anything recorded about what she said. A story of a black Venus is told only by a failed witness, and it would take long before she would be given the permission to say anything.

Venus is described by a philosopher as a girl with many guises amounts to the little accouters register with her power. Thus, an existence merger sketch of Venus is illustrated. It is hard to define who Venus is because there are a colossal number of girls who have similar circumstance as those with her and the situations have resulted to several narrations. These stories that result are not necessary about the girls but about excess, violence, mendacity as well as the reason that took over their lives and transformed them into corpses and commodities and then make them identify with tossed-off names as crass jokes and insults. The image of the archive is a death sentence, property inventory, whores life illustration, a tomb, violated body display, medical cases such as gonorrhea and an asterisk in the largest history story.

The narration shows the happening that have taken place out of the world and back, where violence is the main thing in the archives. In this narration, two girls can retrieve their dormant remains, which is a purchase or life claim during the present day where further violence is prevented in the narration. The narrative is predicated upon the impossibility, hearing what has not been said yet, refashioning of the disfigured lives and translation of the misconstrued words and overall intention of gaining of achieving a goal that is impossible. Referring to the issue of violence has resulted in numbers, ciphers and discourse fragments which are near to captive biography and those who slave.

Enslavement and captivity in the scarcity of narratives in Africa exacerbate the gravity and pressure on questions such as the world home of devastation and catastrophe. Female captives never got to survive the Middle Passage. In this story, the lives of the forgotten and the nameless are included to reckon with the loss and as well to pay respect to the limit of what cannot be known. It is from the history slavery that the present history is derived, where the freedom project is retrieved, the ex-slaves precarious life, which is a situation that is illustrated by premature death caused by vulnerability and to violence acts. The image of a free state is brought about by prior experiences of the dead that had to go through slavery.

In conclusion, Venus in two acts explains the suffering of the black girls, which is suffered by all black girls as they have to go through so much torture in the slavery. The free states perceptive is to show the end of slavery through the effects are still felt through loss of the loved one’s and archives which are an imagery of violence and death. Therefore, the stories tell of the dark times and hope for the future.

Mama’s baby, papa’s maybe

It is a narration of a marked woman, known by different names by different names such as aunty, Gods holy fool, granny brown sugar or the black woman at the podium. These names are an illustration of a locus confounded identities, deprivation in the rhetorical wealth in the national treasury and investments meeting ground. She claims that she is imperative to her country and if she were not there she would be invented. In some human communities, the identity of the child is determined through the line of the mother but in America, such traditions are not practiced. Some places such as the Negro community is forced in a matriarchal society which is out of the American society.

The Negro family has no father to talk of as they are the sons of their mother, the marked woman. They neither talk of his law, his symbolic function mark and the agencies of the missing important life of the community of the black people. It is the fault of the daughter that this has to happen, the womanlike line. There was the astounding reversal of the thematic of castration which displaced the name and laws of the fathers to the mother and daughter territory, and it became an aspect of the misnaming of the African-American. The misnaming has tried to be undone so as to reclaim the relationship that existed between daughters and fathers within the social matrix for a diverse inspirational fiction structure. Parents and daughters, therefore, manifest rhetorical symptoms of denial and absence to exemplify the constructive and double agencies of an internecine degradation prescribed.

Historical dominance has respective subjects of male and female where no symbolic integrity is present. Gender explains itself differently, and it expresses itself in an extended range of stress points which involves human biology in its relation with the culture project. The aspect of ethnicity is brought in where the social arrangements are included, and it identifies a complete objectification of cultural and human motives. Families are divided into two, the white family where the objectification is by implication and the Negro family where it is by outright assertion. Under hegemony of ethnicity, the body of the human is rated as a vulnerable target for veneration and rape and the conceptual and material phase which is a resource for metaphor. For instance, the tangle of a pathology of Moynihan’s which is an illustration of the underachievement in the black males of the lower class which is their fault. In the present society, the man presumes leadership both in the public and private affairs. The Negro group is disadvantaged in this manner as their females are dominant. Moynihan critics the system in Negro and suggest that black men should be in control as it is the way in most of the cultures. He says the communities that operate under the matriarchal are the ones under social pathology.

Inequality has been wind spread, and it is different in different places where there are places where men are discriminated against, and others women are discriminated against. It is an engendering, dehumanizing and defacing project of the people of Africa. The scales of inequality measures out the gender rule to the passage material condition and it is confined in the domestic and then spreads to the male and female tentacles subject over the larger ground of social and human purposes. Domesticity is known to gain its power through the same origin of inspirational fiction rooted in the proper names accurate, and to be particular, a patronymic which places a person it is over in a specific position. Therefore, the imagery of gender is brought out in different societies, wherein Negro community, the women are in rule, and they determine the laws and everything else in the society. In other American corporations, men are in power, and they form the rules. Therefore, in both communities, discrimination has to take place.

Social text

From the text of diaspora and the localities of race, we see the imagery of how the difference in races and how it has been structured different in the African diaspora and makes it known to the scholars on ways of exploring of the social formation and engagement with models of knowledge. Production meant to reshape the diaspora. It will consider the local people, the state and remain a significant site for the making of the identity of the African diaspora. It is also an outline of how these countries will facilitate the imageries that are shown in the diaspora.

From the article on the national state of each day and the construction of the Britain ethnic statistics, the examination of a standard premise of the discourse of race in contemporary multiracial communities is studied. It is carried out through data collection of the ethnic in the form population statistics, and it is important to apprehend and eradicate discrimination. The first data on ethnicity was collected around 1991 where the dimensions of racialized power and subjectivity in the work in the production of the demographic knowledge. The racial identities of British are in both the ways of multiple black people as well as the nation activities related to the race.

According to this article the process of bringing back the Negro team was not an easy task. There was a need for the professional baseball’s team who were this Negros still. The article largely concentrates with the color line in the baseball team. Afro-Latinos according to this article are way much being segregated a lot the concentration of them in this team is minimal or zero. It also minimizes the chances of other races such as the Afro-Latinos of ever joining the team and therefore making the American baseball team a selective few members and eliminates even a chance of some other races enjoying these privileges.

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