The essay "Ron Teachworth’s Color Field Painting" analyzes the paintings of Ron Teachworth. Teachworth continues to call himself a Detroit native and Detroit artist – many of his images began as bit of the urban landscape there. By the year 2000, however, these drawn or photographed subjects became abstractions. As an undergraduate student at Central Michigan University and during graduate work at Wayne State University, Teachworth favored the work of Kandinsky and the Abstract Expressionists (especially DeKooning and Diebenkorn). His work is, by his own description, a “mystery [of] space, light, color, and composition.” Any of these influences can be seen in his work, from Kandinsky’s play with form to DeKooning’s use of brushstroke to evoke movement to Diebenkorn’s structural fields of color. Earlier paintings had a surreal quality in which landscape elements were more realistic, but skies took on a major role. They dominated the landscape in terms of size and color. A critic labeled them “sky fields,” a term which stuck with Teachworth as he continued to paint. From that point on the sky field was the most important space within the painting and took on brighter color and, finally, pattern. From there, the artist gradually removed any recognizable subject matter in favor of color and pattern, so that by the year 2000 his canvases became solely that. While developing this style, Teachworth had begun to add an impasto element to the patterning: small “sticks” of intensely colored paint laid down.
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