While many renowned names involve in this artistic stream, there are few who hold their stands unmatched as the propagators of artistic cultures. Two of such names are Botticelli and Raphael who introduced and developed a personal insightful depiction of some contemporary concepts and universal portrayals. Two notable works of art from Botticelli and Raphael are The birth of Venus (Botticelli) and Mond Crucifixion (Raphael). Those two works of art are very much the representing pieces for their contemporary culture picking up classical foundations to mount with artistic rendering of subtle individual depictions. Heritage of classical ages During renaissance, new developments and imaginations of most artists had come out of the classical traditions of arts. Notably, modernism had not touched the world and breaking of rules was limited only up to the imaginations of artists. Thus, artist of earlier renaissance period opted to provide their insights to some traditional themes. Both The Birth of Venus and Mond crucifixion are grounded in deep Christian imagination of human conditions. As in The birth of Venus, the iconography does not entail a violation of themes dwelling in contemporary consciousness. Similarly, in Mond Crucifixion depiction of Jesus is portrayed as a calm figure even when crucified. Theological icons as Venus and Jesus had a very specific place in classical artistic culture. On the other hand church’s influences were quite dominant over artistic depictions till renaissance. However, during renaissance most of the painters and artists had been associated and were adorned by the church too. It is mostly the style, imaginative depiction of surrounding and use of different shades which had put those arts on steps ahead of the classical ages. Materials, Style and Colors As Botticelli belonged to an era when Oil paintings were not popularized up to an extent The birth of Venus was painted on tempera while Mond Crucifixion arrived at a time when popularity of oil paintings had overtook the use of tempera around whole Europe. Historically too, Oil paintings proved to be more facilitative compared to tempera. Tempera dries very fast and painters had to be very accurate in mixing the paint. Oil painting proved to be easier to use enhancing numerous opportunities to painters to use fast brushstrokes. Comparing The birth of Venus to Mond Crucifixion, the use of oil in the later provides much scope to paint the background while in The birth of Venus background is dissolved into sea with very keen strokes till the end which is quite essential in a tempera material. In both the paintings, use of colors and lights is straight away comparable as The birth of Venus provides a little fading effect towards the third dimension while Mond Crucifixion holds sharper colors and clearer lights to sustain with the aura of Jesus which is essentially to be preserved in the painting. The birth of Venus is visualized with the imaginative beauty of painter’s convictions to the relevant matter described by many earlier artists. Instead of the three Hours of Homer's hymn and Poliziano's poem, he shows us one fair nymph, in a white robe, embroidered with blue corn-flowers, springing lightly forward to offer Venus a pink mantle sown with daisies. In the laurel groves along the shore, we see a courtly allusion to the "Laurel who sheltered the
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Two Icons of Renaissance Art Two Icons of Renaissance Art Author Author Affiliation Two Icons of Renaissance Art Introduction Renaissance art consist of the foundations for modern artistic developments connecting modern art to the classical ages through bridging the classical ancients and liberal moderns…
The author compares and contrasts specific examples from the Renaissance and other time periods that may have influenced it. He discusses in detail the main characteristic features of the Renaissance period, the most prominent artists who worked at that period and their famous creations, including paintings.
With artists and playwrights using paintings, carvings, sculptures, drawing and verses to portray reality or the images of the most significant and influential leaders of the past times. The symbols are also seen to have been used on things or events that were foreseen and were expected to come.
The term Renaissance is originally a French word whose literal meaning is rebirth, has been applied metaphorically to a wide variety of phenomena ranging from an experience in the life history of an individual to the characterization of a culture of an entire epoch.
The arts like sculpting and architecture reached its zenith during this period and it was continued to be practiced in the earlier centuries of the Common Era. However, this legacy of classical art was destroyed with the Germanic invasions over Italy and Greece in the fifth century.
The most usual signature was a phrase Ad Gloriam (For God's glory). The situation has changed dramatically in the XV century with the development of ideas of Humanism and the beginning of the Renaissance epoch. In contrast to divine-centered art of Middle Ages, the new art style was human-centered, focused not only on the personality, being depicted, but also on the personality of an artist.
Otherwise referred to as the Proto-renaissance, art that falls under this criterion started in a Northern closed society of the current state Italy, shortly after the twelfth century (Stokstad and Michael, 2009, p. 49). Art from this era did not originally stand for an uncultivated deviation from any other medieval art.
This is the subject discussed in this paper, in particular the distinguishing features of two great or contrasting styles of art expression manifested in the sculptures of their different time periods. A focus of this paper is the Baroque style of sculptures as contrasted with those earlier Renaissance type. A clear way to notice differences is the statue of David.
played within the larger society, and as societies understanding of itself, religion, and its role in nature increased and changed, so did the associated artistic representations from those societies. Beginning with the ancient Greeks and the development of what is now referred