The essay "Fashion and Utopia-Ann-Sofie Back" analyzes the concept of the fashion by Ann-Sofie Back. The concept of fashion in Paris is no longer popular and this has essentially given rise to a genre of anti-fashion, which refers to the beginning of something new. The relationship between the “fashion-creator and imitator” is undergoing change and instead of the common people on the street following the designs of haute couture, the pattern is almost the reverse, fashion flows from the street to the “salons of haute couture” where the adoption and imitation take place. The public follows the fashion trend, which flows, from the characteristics defined by their sub-cultures. The avant-garde essence of fashion comes form the notion of “fashion beyond fashion” which creates fashion out of non-fashionable components. From 1980s onwards the period of fashion creators are coming to an end and the designers favor something, which lie outside the traditional fashion trends. This also implies that fashion no more creates or enhance the divide between economic classes or age groups and genders. In fact, “nothing could be more out of date than to clothe oneself as “woman”, as “man” or as “lady” . This avant-garde fashion is innovative and anti-idealistic in nature, which looks forward to give new shape to beauty and perfection. The modern avant-garde derives the basics from the old one especially in terms of going against the classical definition of fashion, popularized as haute couture.
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The essay explores the fashion of Ann-Sofie Back. There was a time in the sixties when the term fashion was associated with the aristocratic class. The reference comes with respect to French fashion industry because during the sixties fashion pertained mostly to the French society. …
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