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Pablo Picasso, Les Demoiselles d'Avignon vs Ingres, Grand Odilesque - Assignment Example

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Pablo Picasso, Les Demoiselles d'Avignon vs Ingres, Grand Odilesque

The essay "Pablo Picasso, Les Demoiselles d'Avignon vs Ingres, Grand Odalisque" shows the meaning of two famous and important paintings. Each were considered to be shocking and not accepted in the art world. In the painting "Grand Odalisque" of a sensuous woman, nothing is in proportion to the actual shape of her body. Her back is too long. Her head is very small. The lines of her body are not straight. The curtains and bed sheets give the same effect. She has a feathered fan which show the same colors in the curtains and the pipe. The smoke emanating from the top is wonderful. There are so many textures and colors. Each feather and piece of hair can be counted. Ingres was criticized for leaving the classical school of art. No one practices with long curving lines and multiple textures and elongated distorted forms. He kept concrete subjects but he started using techniques that never had been used before. He opened the doors to Neo Classism. Les Demoiselles d'Avignon also shocked the art world. The length of space in the first painting was no longer apparent. Depending on how the painting was viewed Les Demoiselles were seen differently. Each face was contorted with the only expression left in the eyes. "Suddenly Picasso found freedom of expression away from current classical French influence. A painting which took 9 months to finish was the beginning of cubism. Both Ingres and Picasso helped advance the art world by experimenting with feeling, artistic abilities and daring to leave.

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Summary

The paper gives a short review of Pablo Picasso's "Les Demoiselles d'Avignon" and Ingres' "Grand Odalisque". Each were considered to be shocking. They were not accepted in the art world. Ingres was commissioned by Napoleons sister to paint the Odalisque. …
Pablo Picasso, Les Demoiselles dAvignon vs Ingres, Grand Odilesque
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