The application and perfect adoption of the techniques of applying the viewfinders facilitated Arbus to connect with her subject perfectly, and beyond the stands of normal eye level viewfinders were able to synchronize the intended photograph.
The photograph, identical twins portray the images of two young girls namely Colleen and Cathleen Wade. These two girls are equally portrayed standing side by side juxtaposed to each other with the aim of reviling their underlying identity. Moreover, the girls are addressed in similar attires of matching corduroy dresses with white lase around their necks and about their wrists. Additionally, the photograph clearly indicates that both girls have white headbands about their heads trapping their dark hair. Notably, they are coherently staring at the camera with one of them posing with a slight slime about her face while the other showing a slight indication of sadness. The indicated nature of state of each girl’s face depicts a state of parallelism among these twins. Furthermore, the parallelism may be as well been defined, or portrayed by the haunting nature of the portrait.
In summary, it may be certain to say or note that the photograph reveals the photographer’s vision. Some of the photograph scholars had once noted that Arbus was suffering from identity issues. According to Patricia Bosworth, a biographer, Arbus in her career had ever been involved with the question of identifying her identity by comparing herself with other. She once had wanted to determine who she was and who others were. Therefore, the photograph of the twin image is a clear expression that cruxes the vision Arbus ever had. Alternatively, one may argue that Arbus was representing the content of the photograph in the form of normality being freakishness, and freakishness being normality (Krauss 12).
According to Arbus, this photograph, of identical twins, was photographed at their tender age of seven