right shade of emotional psychology in the actors which reflects in their acting, and wins them the appreciation of millions of audiences after the film is released. The director selects the costumes for the actors keeping in view several factors that include but are not limited to the demand of the role of the actor, the situation, the context, the background, the mood, and the light effects. The director selects colors for the sets and everything contained in them (Lumet, 1996, p. 9). There are certain colors that give the scene a gloomier feel while there are other colors that lend a vibrant and flamboyant touch to the theme. Nobody but the director decides what shade of a color is appropriate since the wrong shade of a right color for a scene makes the color the most inappropriate choice. The director positions the actors and various objects in their surroundings in such a way that they interact with one another and are meaningfully included in the video. The importance of a director can be estimated from the fact that it is fundamentally the director who makes a film different from a book, and lends the film its own unique individuality. There have always been books for the stories, but the idea of converting a story into a film fundamentally emerges from the direction, as all it takes to make a video falls into the domain of a director’s responsibilities. One of the prime responsibilities of a director is to remove any ambiguities which may arise between the producer and the actors along the way. “It is the director’s job to mediate any concerns the actor has about the writing, or the writer has about the acting” (Weston, 1996, p. 119). The director is like the sailor of the ship. It depends, to a large extent, upon the capability of the director whether the ship will make it to the destination or sink on its way to the destination. A good director not only does his job responsibly, but also inculcates the knowledge of direction to some extent in the
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