The paper "Memphis Design-Michele De Lucchi and Ettore Sottsass" discovers postmodernism and Memphis design group. With inspirations derived from earlier movements such as Pop Art and Art Deco, the colors were used in both a graphic and dynamic way. The use of history in the Memphis post modernist furniture is particularly evidenced by the way their colorful designs that were reminiscent of the 1950s and 1960s ‘op’ art movement. The use of history and drawing of inspirations from the past in post modernism was particularly meant to counter the modernist concepts of writing history or starting from scratch after all was lost during the war. The social and cultural changes in 1970 led to the reaction against modernism. Designers embraced popular consumerism and culture. The modernistic principle required all objects to functional. Radical designers started to define a new language for design and moved away from functional well-designed goods. Ettore sottsass and De Lucchi were particularly frustrated by the rigid attitudes of the international design community. The post modernist artists were inspired by cultural, emotional philosophical, ancient, and contemporary influences. Together with De Lucchi and other designers, he founded Memphis to explore a visual language for design based on the popular culture and kitsch. The group wanted to experiment with new designs and materials. Ettore wanted to discover new and unique ways of using materials to bring a wealth of artistic influences.
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(Memphis Design-Michele De Lucchi and Ettore Sottsass Essay)
“Memphis Design-Michele De Lucchi and Ettore Sottsass Essay”, n.d. https://studentshare.net/visual-arts-film-studies/626964-memphis-design-michele-de-lucchi-and-ettore-sottsass.
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The paper explores postmodernist design. One of the best examples of postmodernist design that shows a postmodern use of history is the Italian furniture work of Michele De Lucchi and Ettore Sottsass for Memphis design group. The Memphis was a reknowned Italian design group…
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