The essay "Yoko Ono's relationship with popular culture" investigates the great talent of the famous artist and her role in the context of culture. Paper gives details from her life and activity. It is almost fifty years ago, when people started thinking of Yoko Ono as that woman. She was aged 27 years and lived in New York. Paper discover Yoko Ono's background that partly explains radical works and performances. The performances include ''Cut Piece'' that she did in 1965. It is here that she sat impassively like Bodhisattva, while the audience slowly one by one cut off her clothes. This was an amazing feminist manifesto as by then most people did not know what feminism was. It was about exhibitionism and sex. Similar to her other works she did, it rebuffed parent’s mores in a great way. But in the performance, of importance was the element of ritual violence. This was not like seppuku but a theatrical version of self-sacrifice. This was a recurrent theme around Yoko Ono's public life. Yoko Ono can be considered as a muse. This does not only apply to John Lennon whose devotion and love for her resulted in the most interesting and beautiful artworks of his career. She was a pioneering artist, activist, musician, and feminist. Yoko Ono has influenced to a great extent those artists who are daring enough in pushing at and experimenting the imaginary distinctions and boundaries between media and art forms. Her talent was formidable but the prominent quality in her painting works was her spirit.
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The essay gives a review on the personality of Yoko Ono and her relationship with popular culture. She was an outstanding artist who had a lot to pass in the world. Her great talent in arts, and to be specific paintings and music, made her an outstanding female…
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3 pages (750 words)Essay
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