Certainly one notable fact is that the title of the documentary has something that sounds like a disrespectful slogan for the embattled WikiLeaks organization. Actually, Gen. Michael V. Hayden, the National Security Agency ex-director is the one who speaks out the expression “we steal secrets.” Gen. Michael V. Hayden does this when he tries to explain how the activities of the government, which involve secrets, require absolute secrecy. The unanticipated basis of the quote is simply not a curiosity, since it lies at the heart of twinned stories of the documentary and WikiLeaks. The documentary gives an explanation of what took place when Julian Assange came up with the WikiLeaks project with the purpose of circulating sensitive documents from unidentified contributors, and when a forlorn private Army, Bradley Manning, took the chance WikiLeaks made to air the dirty laundry of the military (Dir. Gibney, We Steal Secrets: The Story of WikiLeaks).
Furthermore, the documentary is a story of absolutist ideals that appeared somehow sour and of private distress in search of a channel, with drastic results. Alex Gibney’s account of this latest history tries to map out a kind of double misfortune. The documentary, which takes over two hours, shuffles among the well-revealed story of WikiLeaks, directed by the arrogant Mr. Assange; Private Manning’s far more persuasive afflictions involving sexual distinctiveness; and some strong but overlapping critics. The extensive treatment does not have the drive the documentary maker has depicted elsewhere, and the story feels prolonged to comprise an obviously prized interrogation with one of the two females who have made claims of sexual assault crimes against Mr. Assange. The woman with a partly hidden face plays a role in the documentary’s central, basic pivot regarding Mr. Assange, whose web site, the WikiLeaks, also supplied sensitive