This saw magazines increasing in number, with a peak in 20th century; between 19820s and 1980s. However, the increased use of internet, there has been a decline in print media. However the impact of some important images still resonates from century to century. During the twentieth century, documentary and fine art photography were accepted by English-speaking gallery system and art world. In United States, the pioneer photographers like Alfred Stieglitz and Edward Weston had spent their lives in advocating for photography to be used as fine art. This saw a culminating moment for photography in 1910 for both pictorialism and photography after Albright Gallery from Buffalo purchased 15 photographs. This marked the initial point for recognition of photography as an art, and was worthy of being collecting for museum representation. This paper analyzes photographs, with an explanation given for each photograph chosen (Lucie-Smith 57).
Cartier-Bresson’s used photography to represent individual moments in time through freezing, holding and recreating them. Due to this approach, Cartier-Bresson has been perceived as the pioneer of photojournalism. This responded to accuracy spontaneity and ephemeral racing tempo for modern culture.
The photomontage, Roving Reporter, represents the modern technologies that have played a critical role in transforming the world by influencing the ability of people to communicate. The camera eyed colossal observer demonstrates the ability of photography in altering and enhancing senses. During the early 20th century, such medium provided a potential transformative vision for the artists who searched for ways through which they could represent and comprehend the rapidly changing world (Misselbeck 14). The photography had been used extensively to represent the African American body. This replaced the traditional modes that were used