Chinese traditional landscape painting technology to draw the visual art picture - Assignment Example

?Painting a sunset is a definite relaxing and soothing experience for all. The colors are comforting and pleasant for the eyes. There are many options to pain a sunset one of the most favorite option of all times is to paint the sunset of the Sydney Opera House. Artists from all around the globe have not only photographed it in several diversified ways but also attempted to paint it using different techniques and methods. The Idea Discussing how this picture (The sunset of Sydney Opera House) can teach young children the arts and also explaining how the Chinese traditional painting technique can teach young children to learn a new art technique, the importance of this technique influence the young children to learn this technique. The first thing to paint a picture is to have an idea what to paint. This involves a little bit of thought process to have a clear picture in mind what you want to put down on the canvas. To paint the sunset is not only difficult but also a challenging task for which you have to make sure in mind what you are actually trying to pain. The sunset of the Sydney Opera House is a definite choice for artists. The best would be to visit the place and see it with your own eyes during the exotic sunset. Our eyes are one of the best creations of God, which absorb the beautiful scenery and stores in our mind this makes it easier to put it on canvas. If however, you cannot visit the Sydney house Opera, you must see the pictures of other authentic artists, of the sunset. This would give you a clear idea of how you should start. Traditional Chinese Painting techniques are definitely easy to learn for the children of this era but difficult to be skilled at. Since every stroke in Chinese methods of painting requires full concentration and focus, it is a better approach to make the children learn how to focus on an object in painting. Many Chinese artists suggest that these kinds of painting techniques give you a sense of satisfaction and pleasure and stabilize your moods. By Painting the Sydney opera with Chinese painting techniques, the children will get sensitive to colors, nature and architecture. They will understand the colors of the sunset, the architecture of the Opera and the hues of the water. It will provide an insight to the entrepreneurs to transfer their ideas on the canvas. Preparing the Canvas The size of the canvas is really important if you are painting the sunset at Sydney Opera house. Once you have selected your canvas, you need to select the medium you want to use for your paining, be it acrylic colors or water colors or only Chinese ink, you can use any medium to transfer your ideas on the canvas (Fong, 2001). The first thing is to wet your canvas starting with larger strokes. It will not only absorb the colors but will also amalgamate them really well. Use a larger Chinese brush preferably 1.5’’ wide. To wet your canvas you can use water, liquid white or oils. Layers should be applied to the canvas until it is completely wet. You can also use rice paper as your canvas which is widely used in Chinese paintings (Silbergeld, 1985). Starting up with the picture To start with the Sydney Opera picture, you need to first figure out the objects of primary and secondary importance. For example, the Sydney Opera house, the sun and the bridge are of primary importance whereas the trees in the sides, the far away buildings and water are of secondary importance in the picture. Once decided, you need to outline the entire picture with gentle pencil strokes starting with the primary objects like the Sydney opera house, a brief outline in pencil is required, and the lines must be crisp and concise. Next, start outlining the bridge and the sun. Emphasize on minute detailing of the pillars of the bridge and pay attention to the architecture (Hamm, 1988). You can optionally outline in pencil or a nude paint color to outline the objects of your picture. Next, start with the secondary objects of the picture like the buildings, the trees and the water. It is suggested to use the Chinese brush for your strokes. The strokes of the brush for creating the skeleton of the picture must be meaningful and powerful creating a rhythm and a bond between the different areas of the picture. Every stroke of the brush should be linked with the other. Detailing the picture using Cunfa and Dianfa methods. The next step is to use Cunfa which is a Chinese painting method in which light ink strokes are used to add texture to the picture. You can also use Dianfa to start with the trees, the lights of the opera house and the water depth. Dianfa is the Chinese technique where dots are used to emphasize on the objects. Using this method you will be able to add depth to the trees, the water and the lights. These techniques are widely used to add ideography to the pictures in Chinese art. Natural objects can be best expressed using Cunfa and Dianfa (Wong, 1990). To decide the color palette is also very necessary. The idea is to be closest to real. To paint the sun, make use of yellow ink with a tint of orange. Remember, it’s not sunrise where you need to add more brightness to the sun. Painting a sunset is even more challenging than a sunrise, since it has differing shades and hues. For the Sydney Opera House, make use of white and lemon; make sure not to use pure white in the picture if you really want it to look real-like. Mixing a tinge of light yellow with white will give you natural pale white color which would be just perfect for the Opera House. The tricky part is to paint the water and the trees. Since it is the sunset, the water is very calm. Layer the darker blue first on the canvas followed by mixing blue with a little white on top. The surface of the water should be lighter whereas the depth should be darker. Add a little silver or gold on top of the waves here and there to give the effect of sunlight falling on water. For the trees, the similar technique should be used, the deeper, the darker. The top of the trees should be touched with a bit of gold or silver too. Light green mixed with lime would be best for the top of the trees whereas a darker shade of green for the deeper layers of the trees. Adding more details about how you choose different colour inks to fill in different objects in the picture. For example: Sydney Opera House is white and light yellow colours.In addition, including how you use different colour inks to make the colour you want to use in your object. For example: The sunset. Using dark yellow and light orange. The detailing of the picture should start by filling the Chinese ink to add to the skeleton of your picture. The strokes of the brush should be in correspondence to the outline or skeleton you made in the previous steps. Emphasize on shades and lights of the Opera house and the sunlight spreading all around. Compare the way you imagined the actual picture with the strokes of your brush. Use the accumulation technique to add density to the water and the heart of the sun. You can also use the Chinese break technique to build tension between the gaps of the bridge and the pillars. To add texture to water and the trees and the buildings, you can easily make use of the sprinkle method (Guanzhong, 1997). In order to unify the entire picture, make use of Variegation technique(Providing information and explaining this technique)but there should not be too many colors in the picture. The purpose of the Variegation technique is to form a smooth transition between the different colors of the picture. For example if you are painting the sky or the water, there would be different shades of colors that you will use, to avoid fine lines of different colors on your painting you need to merge the transitions and blend the colors well to give it a more natural look. The colors should be chosen so that they do not conflict with the ink and vice versa. The colors and the ink should complement each other. Larger areas of the color like the building, the water and the bridge should be washed in whereas the smaller areas of the colors like the trees and the buildings should be dotted (Wong, 1990). Give a thought to the painting what you have done up till now. Analyze your picture in detail from critical eyes. Make appropriate adjustments in the picture and see for yourself if your imagination has been completely transferred to the canvas or there is still something missing. You can modify it wherever you like. In short, you should be able to express your vision on the canvas completely. Famous Chinese Landscape Artists Adding contents: how this art picture can engage young children in learning Chinese traditional art painting. Painting the sunset of the Sydney Opera House is preferred by art teachers all over the world due to the numerous advantages that it offers for the young learners of Chinese art. Painting the water and the sun will bring them closer to nature and will make them sensitive to feel each and every shade of the beautiful world around them. It will bring focus and determination to them by analyzing deeply the beauty of the sunset, the shades of water, the architecture of the Opera House and the overall aesthetics of the scene. They will not only learn to analyze things deeply but also express their ideas with an open mind. Many psychologists believe that the various techniques used in Chinese paintings makes the learners stress free and give them a feeling of pride for themselves. Wu Guanzhong (1919-2010) is one of the best known Chinese artists of all times. He has painted different aspects of China including plants, architecture and people. His landscapes and waterscapes are famous even after his death. The use of dotting technique was prominent in his landscapes, inspired from which the dotting method is also used in the sunset of the Sydney opera House picture (Guanzhong, 1997). Zhang Daqian (1899-1983), was one of the best known and the most phenomenal Chinese artist of the 20th century. He is famous for his lotus paintings and the landscapes. He was actually very fond of using the Cunfa method in his paintings which can be observed from his figure paintings and landscapes (Fong, 2001). PuRu (1869-1963), courtesy name Xinyu was born in Beijing as a member of the Manchu royal family. His trainings about Chinese painting methods were highly disciplinary. He suggested his students to rub their ink paintings with charcoal ink sticks as he thought that doing so, will bring peace and tranquility to the mind. He thought that it will help the artists to connect themselves with the spirit of creativity and art (Fong, 2001). Bibliography Guanzhong Wu, 1997. Wu Guanzhong zuo pin (Masterpieces of Chinese famous painters) (Mandarin Chinese Edition). 1997. Jack Hamm, 1988. Drawing Scenery: Landscapes and Seascapes.Limited Edition. Perigee Trade., 1988. Jerome Silbergeld, 1985. Chinese Painting Style: Media, Methods, and Principles of Form. 1St Edition Edition. University of Washington Press., 1985. Qu Lei Lei, 2008. The Simple Art of Chinese Brush Painting. Edition. Sterling. Rob Alexander, 2006. Drawing and Painting Fantasy Landscapes and Cityscapes. Edition. Barron's Educational Series. Wen C. Fong, 2001. Between Two Cultures: Late-Nineteenth- and Early-Twentieth-Century Chinese Painting from the Robert H. Ellsworth Collection. Metropolitan Museum of Art., 2001. Wucius Wong, 1990. The Tao of Chinese Landscape Painting: Principles and Methods. 1st Edition. Design Pr, 1990. Read More