The essay "Japanese contemporary art and Korean contemporary art" presents contemporary art practice in Japan and Korean, comparing and contrasting their different attributes. The paper also attempts to highlight the diverse effects that art have on the respective communities. The introduction of religion had a great significance to the Korean artistic images, and artistic styles were manifest in the temple developments, bronze statues, portraits and exemplified manuscripts. Also, Korea’s physical position at the crossroad of East Asia- between its two larger neighbors, Japan, and China – added an enormous influence on its history and culture and its artistic fundamentals. Korea functioned as an outlet between China and Japan for philosophies and theories and technologies that enriched Koreans artistic innovation and skills. Moreover, scholars have established non-passive role of Korea of spreading artistic ideas across to Japan or China, and recognized it not only diffused culture but also integrated it resulting to unique Korean art and culture of its own. Japanese art covers broad assortments of art styles and media that include ancient poetry, wood and bronze sculptures, silk and paper ink paintings, and other type artwork. Japanese painting has a rich history of synthesis and rivalry between natural Japanese aesthetics and utilization smuggled ideas. Further Japanese sculptures mainly originated from the idol reverence in Buddhism or animistic rites of Shinto deity. Particularly.
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(“Japanese contemporary art and Korean contemporary art Coursework”, n.d.)
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(Japanese Contemporary Art and Korean Contemporary Art Coursework)
“Japanese Contemporary Art and Korean Contemporary Art Coursework”, n.d. https://studentshare.net/visual-arts-film-studies/719234-japanese-contemporary-art-and-korean-contemporary-art.
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The essay analyzes Japanese Contemporary Art and Korean Contemporary Art. Art history has since shown to have attention to what makes art connective to one another as to what make art individually unique. Aarts shape other arts since no art can be said to be an island of itself…
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