The major techniques used throughout the film include camera angles, shot types, framing, camera movement, style of music and costuming and sequencing.
Truman is surrounded by an illusion that is perfect and artificial and he responds to them in a similar fashion. In the initial part of the movie, he is seen leaving his house for work in the morning. Every morning is the same routine and he goes through them in the same detached manner. As he leaves the house he sees his neighbors, to whom he says the same corny lines with a cheesy fake smile. This is the first impression that the audience receives that the scene in scripted and played out by actors. The artificiality of the scene does not end there and the camera tips an angle that shows us the images of perfectly mowed lawns, white picket fences, pastel-colored houses and proves that this world on screen is a little too perfect.
The director of the show, Christof, is portrayed as playing God in this movie. He has created the life around Truman and continues to manipulate everything that goes on in Truman's life. This is symbolized by the string of images used throughout the movie. During an interview of Christof for a television program, there is a small picture of Truman at the top right corner, taking up only a fraction of the screen. This symbolizes the power that Christof holds over Truman's life. The sets of Christof's headquarters in the movie also symbolize his god-like image. In the final part of the movie, when Truman is trying to escape from Seahaven, Christof again plays god and tries to end Truman's life rather than let him escape.
As the movie progresses, Truman is disturbed by the clues he gets about the artificiality of his life and the characters in it. He notices his wife advertising the cereal over breakfast and is disturbed by her cheerfulness and fake responses to his questions. He is thrown into the light by the appearance of Sylvia who attempts to tell him the truth. Subtle images are also revealed when a huge equipment falls from the sky on Truman's car, the radio incident when Truman tunes into a different frequency and so on.
Truman's character is popular and loved by many. The director proves his point by showing clips of people around the world enjoying the show. Truman is cheered on by the millions watching the show when he finally bows out and leaves the set for good. The camera then moves on to show two security guards who dismiss the show now that its over and are ready to move on to the next. This symbolizes the emotional detachment that the crowd felt towards the show as soon as it was over.
While moving images have been discussed for the Truman Show, the front cover of Bend it like Beckham carries a story within its still image. The movie is about an Indian family settled in London and desperately trying to hold on to their roots. They have two girls, the elder, Pinky, who is preparing herself to be an Indian bride and the younger, Jess, who dreams of playing football and chasing her dreams to be like her idol, Beckham. The front cover immediately gives the impression of a witty and simple movie with cultural disparities and a focus on sports. And that is quite an accurate impression of what lies within.
The image shows Jess and Jules in a friendly embrace, smiling and happy, and quite indifferent to their families struggling to understand them. Jess's mother is horrified of