In the year 1587, he published his first book that dealt with secular madrigals, and shortly began to look for work away from his native town. He then worked for Vincenzo I in Mantua, in the capacity of a maestro di Capella from 1591, until his dismissal in 1612. Later on, he took a more coveted post on the land of Peninsula as maestro di Capella at St. Marks in Venice, until his death in November 29, 1643 (Monteverdi, 2011).
According to Wistreich (2011), Claudio contributed a lot to the field of music. As an Italian composer in the late Renaissance era, he was the most significant producer of the then new genre, the opera. He was also instrumental in the church music by introducing a “modern” secular spirit. He is among the key figures that shaped the music history as his works majorly marked the new era of music. His substantial contribution included the introduction and also the defense of seconda practica. This was the new composing style that made the text superior over that the music motivation contrary to the Renaissance prima practica. In the prior era, the music dominated the words.
This was instrumental in bringing about a new dramatic style to be employed in Baroque era. His key achievement was in his appealing expression to the human psychology. The early madrigals that he produced can also be viewed as studies of emotions that are more diverse and superior. Taking a closer look at Monteverdis significant contribution to music in the music industry, a close study of all his nine books of Madrigals can be done. L’Orfeo became the first to display the potential of the then novel genre while his second work, L’Arianna may be viewed as that which sustained his survival (Wistreich, 2011).
Monteverdi’s work is a significant mark in the transition from the Renaissance to Baroque music. Monteverdi acts as a bridge of the Renaissance and the Baroque. He combined both the secular and sacred styles to ...
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