American Beauty is a film which stirs up a range of different reactions. When I first saw the film I was gripped by its description of a husband and father disintegrating and re-forming himself, alongside the changes and transformations of others - his wife, daughter, neighbours - around him; I found it exciting as well as disturbing…
In the 1920s Jung wrote a paper on 'The spiritual problem of modern man' addressing what he saw as an inevitable psychological/cultural response to an over-emphasis on the spirit or psyche as opposed to the body during that time. Feeling that the young profession of the cinema was very much a part of this response - a symptom of the imbalance, in a way - he wrote:
The cinema, like the detective story, enables us to experience without danger to ourselves all the excitements, passions, and fantasies which have to be repressed in a humanistic age. It is not difficult to see how these symptoms link up with our psychological situation. The fascination of our psyche brings about a new self-appraisal, a reassessment of our fundamental human nature. We can hardly be surprised if this leads to a rediscovery of the body after its long subjection to the spirit - we are even tempted to say that the flesh is getting its own back. (Jung 1928, para. 195) Jung thought that all psychological life expressed itself in binary oppositions, and that a process of something turning into its opposite was common - and indeed was to be expected when it had gone too far one way, as his quote indicates. Jung also held that psychological health lay in allowing the psyche to bring about its own balance via the transcendent function - the process of 'holding and transcending the opposites' - something Blake attempted with his Songs of Innocence and of Experience.
I want to put forward the following idea: two people can be in such a relationship with each other that they seem to stop themselves from actually being (or continuing to be) a couple, even though they appear, from the outside at least, to be one. Or rather, they act to stop the psychological development that being in an adult couple relationship will have triggered as part of the individuation process. Guggenb hl-Craig (1977) in his book Marriage - Dead or Alive puts forward a rather pessimistic view of the impact of marriage on the capacity of a man or a woman to individuate, which at first sight seems to endorse this view of the couple relationship. However, Guggenb hl-Craig's version seems to me to attend too little to the details of the unconscious interactions between the couple, preferring to focus instead on a broader-brush view of the needs of 'salvation' for one or other of the marriage partners. His work could be compared, unfavourably from my perspective, with that of Lyons and Mattinson (1993) who make use of the concept of the opposites and Jung's idea of marriage as a psychological relationship (Jung 1925) to look in detail at the interactions of a particular couple, Mr & Mrs Turner, who illustrate the individuation process in the couple in detail. At the Tavistock Marital Studies Institute, where Lyons and Mattinson worked, we are accustomed to think of couples as a kind of system. When we see a turning away from change and development by the couple, we think not so much of individuals each with powerful narcissistic defences operating separately but simultaneously, but more of an unconscious 'agreement' between the couple to stifle growth, for whatever reason. We focus on a shared interaction between them at an unconscious level: each one acts upon and relies upon the other to maintain a 'shared couple defence' against a ...
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As a result, choosing which identity feature to emphasize during a discussion of “Freaks” is difficult. “Freaks,” made in 1932, was a horror film made in the era before a rating system was developed in the U.S. Directed and produced by Tod Browing, its cast was mostly composed of actual carnival performers, or as they were called at the time, “freaks.” Instead of using costumes and make-up to portray freaks, Browning used performers who actually had the deformities portrayed in the film.
Movie Review: American Beauty. In his work, How Movies Helped Save My Soul, Higgins challenged us to examine a movie or film for underlying issues that are eating at our subconscious, and sometimes even conscious, psyche. We tend to observe the world around us from a distance, keeping as far away from unpleasant circumstances as can comfortably be.
The primary crux of the movie American Beauty could be traced in the existential crisis faced by the main character in the movie that is Lester Burnham. Throughout the movie, the main character Lester Burnham struggles to seek and find out the meaning of his life in a personal and intimate context.
American Psycho: A Reading Response Visual Poetics, Intertextuality, and the Transfiguration of Ideology: An “Eye” for an “I” in Mary Harron’s Cinematic Adaptation of Bret Easton Ellis’s American Psycho By Vartan P. Messier In the insightful article from one of the pedantic scholars of contemporary time, Vartan P Messier many innovative and novel discourses pertaining to the adaptation of films from texts in the recent years evolve out.
The rest of the actors include Annette Bening as Carolyn Burnham, Thora Birch as Jane Burnham, Mena Suvari as Angela Hayes, Chris Cooper as Frank Fitts and Was Bentley as Ricky Fitts. This film revolves around the character of Lester, who is a middle aged family man living with his wife and daughter, Carolyn and Jane, in a suburb (Spacey, Bening and Birch).
This commonplace view is conditioned by the level of sophistication of the vision of that group. It is conditioned by the elevation or the crassness of the group's idea of what beauty is. In the current context, in society beautiful is what the media says is beautiful.
In its raw, visceral beauty, the movie calls to mind the Greek tragedies of old replete with characters all strangely fated to some tragic, remorseless destiny (Ebert). And as its plot unfolds, overtones of loyalty, betrayal, revenge, and salvation all come to surface.
No two films better address the diverse aspects of the manhood controversy than American Beauty and Fight Club. These two films tackle the issue of masculinity in a brutally truthful way. Problems confronting the middle age man in America, aspects of homophobia and inadequacy about a man's ability to measure up to societal expectations are key themes in these films.
The author explains that the flow of this film exhibits the various needs of different characters. Lester’s wife feels that her needs are not met by the husband while the daughter on the other end also observed the inadequacies in her father prompting her to develop negative relationship with him.
It is conditioned by the elevation or the crassness of the groups idea of what beauty is. In the current context, in society beautiful is what the media says is beautiful. This means the thin model wearing the clothes and makeup that the gatekeepers of fashion say are
7 Pages(1750 words)Movie Review
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