Each individual is equally confident that she is the most successful one present at the party. The women relate their own experiences in their attempts to out-do one another. They show horrible social behavior in their competition against one another. The dinner party which was set out to celebrate a success ends in failure with the ugly personal identities marring the beautiful social positions. The guests become drunk and ugly. The women represent different aspects of Marlene's personality. (Act 1, Scene 1). At the end of this scene, one cannot choose a winner to represent the image of a top girl who has been successful in her life. None of these women fit the definition of a top girl. (Churchill, 1982).
Pope Joan thinks that she is a successful 'top girl'. She has given birth out of wedlock. She represents one aspect of Marlene's life. Pope Joan has sacrificed her femininity and gender identity as a woman for the sake of her career. She has failed to achieve a balance in her life as a woman. Pope Joan is an allegory to Marlene, who gave up her baby to her sister in order to pursue her career. Society demands commitment to her job in order to climb up the ladder of success. She is not a successful 'Top Girl'. (Act 1, Scene 1).
Isabella Bird thinks highly of herself as a successful 'top girl'. ...
Isabella thinks herself to be successful because she has traveled to see the world and appears knowledgeable in many areas. Isabella forgets that her pleasures have been bought at the expense of her sister who has sacrificed herself in order that Isabella may be free. Marlene's sister, Joyce, takes care of Angie at the expense of her personal life. Joyce suffered a miscarriage as a consequence of her sacrifices for Angie and Marlene. Isabella is not a successful 'Top Girl'. (Act 1, Scene 1).
Dull Gret thinks that she is a 'top girl' in spite of her dull personality that cannot maintain interesting conversations. She is the harrower who torments and breaks souls. Marlene's soul is tormented by guilt. This is shown when her conscience moves her to behave kindly towards her birth daughter Angie even while she is at her harsh office environment. Angie reflects Dull Gret's personality because she is dull and speaks in monosyllables, just like Gret. Marlene's soul has been stressed by her masculine work environment, which acted like a Dull Gret that torments her soul with demands. Angie is a sacrifice whose soul is harrowed by Dull Gret. Angie shows the effects of the wrongs when her real parents have neglected her. Dull Gret is definitely not a successful 'Top Girl'. (Act 1, Scene 1).
Lady Nijo has airs about being a 'top girl'. She belongs to Marlene's past life. She represents Marlene's past submissions to a man who then betrays her and abandons her. Nijo was abandoned by her master when he left her unsecured after his death. Marlene was abandoned by her lover when she became pregnant with Angie. Marlene gave up the idea of motherhood and womanhood and consecrated herself to her career and materialistic ambitions. Nijo is in