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Catalogue : Postwar Australian Art - Essay Example

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Catalogue : Postwar Australian Art

204). Imants’ greatest motivation is the production of pieces of artwork that show concerns regarding locality and place while also making evocations of the Australian landscape. Between 1974 and 1975, Imants produced Conversations with the bride. The piece of art typifies the installation media category. The installation provides a notable dialogue between Imants’ painting and Marcel Duchamp’s well known painting entitled The bride stripped bare by her bachelors, even. Duchamp’s painting is also referred to as The large glass. Imants’ Conversations with the bride is a compilation of at least 112 miniature photographs and paintings (Hart & Tillers 2006, p. 9). These photos and paintings are set on multiple aluminium tripods with every image in the compilation being appropriated from The large glass by Duchamp. In addition, Conversations with the bride also appropriates images of Hans Heysen’s water colour Summer of 1909, which had characteristic Australian landscape, consisting particularly of gum and eucalyptus trees. This calls to mind the magnificent forces of nature that is similar to the 19th century Romantic landscapes. The large glass and Summer were painted approximately the same time, and as a consequence, Imants perceives them as equally representative of Australian cultural values (Stephen 2003, p. 16). These art pieces were sympathetic to Imants’ views at the time, especially with regard to Imants’ feelings regarding the element of the fourth dimension, which is also evident in Duchamp’s artwork. Imants researches a lot of sources, collecting necessary documentations vital for the compilation of the images inherent in the Conversations with the bride compilation. Conversations with the bride represents the painter’s post-modern strategy, which encompasses approaches such as intertextuality. Here, Imants’ artistic work elucidates the link between the artwork, the viewer and the artist. This relationship is exemplified through the use of layering whereby contemporary and historic references from both literature and art are comingled (Hart & Tillers 2006, p. 13). Since the Second World War, notable art movements in Australia consisted of pop art, conceptual art, postmodernism, abstract impressionism and minimalism. Cultural and national events significantly influenced the popularity of these movements. Imants is one of Australia’s most renowned post-modern artists. His paintings mostly address national anxieties regarding Australia’s geographical, as well as cultural, distance from Europe. Conversations with the bride serves as a continuation of this artistic symbolism (Stephen 2003, p. 16). Imants is renowned for challenging the idea that Australia’s heritage was constructed on the premise of tyranny of distance. As a matter of fact, Imants’ work, including, Conversations with the bride, lay emphasis on the meaningfulness of Australian culture. Imants achieves this by developing close relations between culture and different ideologies, offering novel readings, as well as ownership, of these symbols as vital to the hybrid identity of Australia. The message of the artwork is effectively communicated owing to the generational conditions in Australia, which allowed for the establishment and development of cultural and individual identity. On the other hand, Conversations wit ...Show more
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Catalogue essay: Postwar Australian Art Name: Institution: Catalogue essay: Postwar Australian Art Numerous Australian artists emerged during the post-war period between the 1950s and 1970s. These artists employed brilliant abstract studies, as well as a robust interest in the Australian landscape and overall spirituality…
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