Korean TV Drama : Sassy Girl Chunhyang - Movie Review Example

number Korean TV Drama Review: Sassy Girl Chun-hyang Delightful Girl Choon-Hyang is a 2005 South Korean TV series showcasing Han Chae-young, Park-Si-eun, Jae hee and Uhm Tae-Woong. It is a drama series that was aired on KBS from January to march in the year 2005. It was a seventeen episode series aired on Mondays and Tuesdays on the KBS TV at 21:55. This was also the first Korean drama written by Hong Mi-ran and Hong Jung-eun. It has remained the highest rated drama in the filmography with a viewership peak of 33 percent. Sassy Girl, (Choon-Hyang) is an interpretation of the Legend of Choon-Hyang. It used to begin with an episode that covers Lee’s ordeal from when he was in Seoul school to another high school in Namwom located at the North Jeolla Province. The Sassy girl, Chun-Hyang tries her best to assist Lee to enter a high-status university. He was assited given that Lee had been her first love and the chief’s son. However, after meeting Lee’s first love, Chae-rin’s, love towards Leegot shattered, although Lee’s love remains firm. One day, the CEO of a prosperous entertainment company appears to Chae-rins and exudes confidence that he can flatter any woman to love him. Lee show less interest in him; thus, his self esteem diminishes although he is very determined to make her love him. The production team associated with this drama says that they had intentions to present a whole new picture of Chun-Hyang in line with the modern times. This is because she had been an attractive female figure who demonstrated courage in choosing her own love in the Chosun times when Confucianism was a prevailing value. The fusion drama style makes other attempts in genre like mixing Panasonic music and rap. Chun-Hyang is the best student in her school while at the same time; she has a poor family background. She is described as being resilient, bright and cheerful. She makes her own money through working in part time jobs; hence, described as an idol for all peers. The development of the Korean Fork tales to modern versions is observable in the ways it is dramatized. Korean folk tales once comprised of stories depicting a fantastic sequence of events. Most fairy tales included creatures from folklore like witches, dragons, and goblins. They took place in a certain format like the “once upon a time” (Haase 86); however, it applied none or limited real people, events or places. Orally told fairy tales were told with much laconic and extremely spare style. When motives are provided in the tale, they were very simple and short. The sassy girl drama progresses in a series of episodes. It is observed that it is not a historical episode at all. It is clearly notable that it is based on the modern world. Although the producers seem to have used a historical sequence as a lead to a modern teen drama, it is also notable that they had intentions to emphasize the cultural importance of the character. Chun-Hyang is featured as an old legend adapted to the modern settings to influence young fans and make her the generation’s legend despite the fidelity of the drama to its original tale’s purpose and plot (Haase 56). Fairy tale is used in modern day to depict an idealized ending or romance. However numerous classic fairy tales are darker than the realization of many people. Fairy tales are found in different culture of the whole world with many of them having broad variants. However, very few of them are broadly known in the modern culture. Subsequently, fairy tales were originally written for all ages, but for a long time, they had been presented as children stories. Fairy tales have been advanced and adopted into movie musicals. This has been a significant attempt to making them light hearted.These tales have a dominant similarity in with the modern and old styles. They play similar roles in entertainment and the provision of knowledge to viewers. They are also narrated in a series of events which aim at a certain outcome. There is much use of symbolism in both old and modern fairy tales in Korea (Haase 92). In this drama, woman has been portrayed in a heroic character. Chun Hyang is portrayed as been brave enough to find the lover of her choice. Her character is brought to the present day to represent such character like jealousy, romance and arrogance that are common with the modern women.The role of a woman is highly highlighted or portrayed through charming female protagonist who attends school and works part time to meet her needs. She has all privileges to choose her own lover and to work for herself. Some elements of tradition play out in the series. This is observed after Chun Hyang was indicted with false charges. The area suffers with poor harvests for years. This is interpreted as a curse that was believed to have stroke the village by the angry spirits of Chun Hyang. This series develops some understanding of the contemporary Korea. Featuring the art and film industry, Koreans have demonstrated much reality in field and play writing. Ideal information is represented in a series of written play. The series also develops an understanding for the establishment of women roles whereby, women in Korea are granted the right to performance of their roles. Certain Korean cultures are held as it has been depicted in the episode. This is observed during the drought period whereby people blame curse for the disaster. Korea dramas are refreshing great changes for many. Although some viewers may find it insignificant for their taste, majority of the viewers are thrilled to find them more tasteful and reeling them and leaving them in a state of wanting intensively. Visual arts and film production is part and parcel of the Korean culture with many individuals engaging in the film and art industry (Haase 96). The contemporary culture of Korea is based on their traditions. However, they have been developed since the establishment of certain ideologies that assert their cultural distinctiveness as well as creativity and the productive powers of their working masses. Art in North Korea is mainly didactic given that expression of culture serves as an instrument that inculcates the ideology and the need to move on with the struggle for revolution. Foreign persons and governments are negatively depicted as imperialists and revolutionary heroes who are viewed as figures who act out of pure motives. Work cited Haase, Donald. The Greenwood Encyclopedia of Folktales and Fairy Tales. Westport, Conn: Greenwood Press, 2008. Read More