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It is this position that Danto (1999) saw as misplaced and lacking basis to consider art as coming to an end. Indeed, the basis for revisiting the subject of the end-of-art thesis in the present seminar is to compare the validity of the arguments presented by the two writers in today’s era of art world. The opinions that are going to be expressed on the article will therefore be broad enough to capture the entire relationship between the artist’s power of innovation and the influence it has on art world. Much of the argument would also focus on modern day art so as to have an understanding of the power of the artist in using some of the world’s modernity to transform the art world. In the article, Danto (1999) identifies two modes of thought in art. These are subjective and objective spirits. According to Danto (1999), subjective spirit deals closely with the artist’s cognitive interpretation of the world around him, based on which themes of art world are presented. Largely so, Hegel (1975) had argued that in the application of their subjective spirits, artists have refused to have an awakening of thought that is based on the need for the output of their works to be based on genuine truth about human reasoning. This is a notion that Danto refuses to accept because in the opinion of Dante, generational dynamism is necessary for giving the artist much room to try out more innovation that presents the art world with an era of social thinking that is based on the artist’s own cognitive empowerment. Indeed, taking the arguments presented by the two writers on subjective spirits of artists and presenting it in modern social art, one would say that the new era of artist subjectivity where genuine truth of life no longer exists as the subject matter for most forms of art has been accepted as being fairly befitting for the changing society. A very typical example that can be cited of this is the use of sci-fi art where artists create ideas from their subjective reasoning that are not based on original human reasoning. Indeed, record sales of sci-fi movies and books such as Inception and Men in Black glorifies the point by Danto that the trend of subjective spirit in modern art does not necessarily mean an end to art. There is also the second mode of thought that has to do with objective spirit. Under this mode of thought, Dante (1999) explains in his article that it has to do with the reasoning of art that is taken from a broader social perspective such as political institutions, moral codes and forms of family life. From this score, Hegel had argued that artist are no longer doing society much good from their themes of art work because they had taken new position in the art world where sensationalism had become the order of the day. Yet again, Danto does not see eye in eye with Hegel. In the opinion of Danto, “It is from the perspective of objective spirit that any institutional theory of art is credible” (p. 4). This means that once a piece of art that is produced from an objective spirit becomes accepted by society and judged as credible, not much can be said against it in terms of whether or not it is contributing to a dying art world. Clearly, any modern day artist who takes up an objective perspective of art ...Show more
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Title: ART WORLD SEMINAR Name: Professor: Course: Date: ART WORLD SEMINAR Response to Danto In his article, Danto (1999) generally attempts to debate the assertion held by Hegel that the end of art has come. Generally, the basis for Hegel’s argument was that "Art, considered in its highest vocation, is and remains for us a thing of the past…
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