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Film Critique on the Ghost Patrick Swayze and Demi Moore - Movie Review Example

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Film Critique on the Ghost Patrick Swayze and Demi Moore

He worries that the movie comes close to using an “Idiot Plot” – i.e., one that moves its action forward based on the essential stupidity of a central role. These claims, while perhaps justifiable in analytical terms that demand a certain sophistication from a movie’s direction and writing if the movie were to make such claims about itself, seem unnecessarily harsh. Nevertheless, despite these critical prejudices, the film ultimately grossed more than half a billion dollars at the box office and was awarded two Academies Awards and was nominated for three others. Whoopie Goldberg won the Best Supporting Actress for her portrayal of the medium Oda Mae Brown. The film also received the award for Best Original Screenplay. The film was nominated for Best Original Score, Best Film Editing, and perhaps most importantly, Best Picture. Additionally, the film has been recognized in numerous categories by the American Film Institute as among the best films of its kinds, with some of the most memorable moments in recent film. It is viewed in retrospect, therefore, as a successful movie that appealed to filmgoers on some level other than those required by the professional critic class. This brief paper will analyze why the film succeeded so well, despite the original critical judgments. The paper will argue that despite its lukewarm critical reception, Ghost succeeds as a film on the basis of its simple plot, emotion-filled performances, and supernatural sentimentality, all of which appealed to a mass audience at the time of its release. It will consider the basis for the critical reception and will argue that the audience had a different standard for judging the movie, based on the items mentioned above. The lukewarm critical reception to Ghost was largely based on a range of factors that included direction, production, and writing, with specific concerns mentioned such as its technical merits and plot intricacies and believability. Regarding these concerns, the critics found Ghost wanting. The film, helmed by a director who often substituted humor and goofiness as a good-natured substitute for philosophical and emotional substance, faced an uphill battle with critics from the beginning. Critics such as Ebert and the Times argued that the technical merits of the film were lacking, and this argument still seems to have some truth on many levels. The special effects do, in fact, seem dated and simplistic. For example, in one scene the film’s narration uses a penny arising off the ground, supposedly lifted by Patrick Swayze’s ghost to prove his existence to his lover Demi Moore. This scene is silly, with almost cheesy production values. Similarly, the scenes in which demons (one supposes from hell) come to drag away the ghosts of bad guys are handled in a manner that is outlandish to the point of seeming parody. There are dark shadows that flood the screen and scary noises that are intended to indicate that the shadows represent demons. There is no real narrative given to explain why the demons came for the bad guys (while Swayze’s ghost was allowed free to roam the earth), and the scene has a slight sense of ...Show more
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When Jerry Zucker’s Ghost came out, it initially received lukewarm critical reception. Roger Ebert gave it 2.5 out of 4 stars, a middling grade. The New York Times review said the movie had “odd inconsistencies” and was “too slow moving.” It also indicated that some special effects were “incongruously silly.” At least part of this critical analysis may have been due to the fact that Mr…
Film Critique on the Movie Ghost Patrick Swayze and Demi Moore
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