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Authors of Films - Essay Example

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Summary
The paper "Authors of Films" tells us about an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded but personal that the director is likened to being the "author" of the film, thus manifesting the director's unique style or thematic focus…
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Authors of Films
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Extract of sample "Authors of Films"

Auteurs are those directors who show a unique and individual style in all their films.

Hitchcock achieved what very few did: cancel that old dichotomy between auteur cinema and film commercials. In fact, he was considered for years a successful commercial director but did not have enough weight to include author under the rubric of film. Later, however, this changed. There is no doubt about the real height of the cinematic genius who lived in Hitchcock. What they all claimed in Hitchcock's what the author of Vertigo persecuted in his own films: the purity of the film, that is, the supremacy of the image. "Cahiers" considered Hitchcock to be a genius in the purest form, a true artist, who made ambiguous reality and managed the visual elements at will. This turned away, for example, neorealism of the 40, where the world was shown as it was, without manipulation.

In many films by Alfred Hitchcock, we may notice something in common, which makes these movies together, making them look alike, to distinguish from the films of other directors and, thus, allow us to speak about the auteur's style Hitchcock. Hitchcock's Style manifested in the fact that his motion pictures often repeated certain plot motifs, methods of presentation to the audience, technique of shooting, type of actors, and so on. Some films Hitchcock (especially early ones) are out of the general track - so they can be called unusual, in style, in contrast to the typical, "real" films of Hitchcock.

From his first film, Hitchcock had already demonstrated the ability to transfer all the details of the plot with the help of purely cinematic techniques. For example, in the film "The Tenant" is a scene in which the hostess points out that her new lodger nervously walks to his room on the second floor and it is suspicious. Hitchcock shoots the landlady, gazing somewhere upstairs. Then he shows us hanging on the ceiling chandelier, swinging from side to side. Then he inserts a frame in which the ceiling is made of glass and through it can be seen the pacing from one side to the tenant. With this ingenious receiving the viewer sees that is the heroine of the film.

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