StudentShare solutions
Triangle menu

Towards a New Aesthetic: Radio On and the Europeanisation of a British Film - Essay Example

Nobody downloaded yet

Extract of sample
Towards a New Aesthetic: Radio On and the Europeanisation of a British Film

Radio On plowed entirely new ground, with the versatile social realism and verisimilitude characteristic of British post-war cinema nowhere in evidence. Petit offers an entirely new form of British filmic expression, of narrative and perspective. One cannot view Radio On without calling to mind the alienation and aimless wanderlust of Paris, Texas (1984) and Kings of the Road (1975), landmark Wenders films and part of an important genre to which Radio On very much belongs. Petit’s protagonist makes his way through a bleak landscape in a brooding travelogue that unwinds amid hulking manifestations of Britain’s economic malaise. “Petit is less interested in narrative than in new and un-English ways of looking and seeing. He and Schafer are in love with the sensual delight of a camera moving forward through space” (Patterson 2004). Radio On introduced an entirely new narrative structure for British film, a radical departure from traditional forms of storytelling. Petit’s film is “a disillusioned portrayal of the environment…a search for new narrative forms - and the role of music in conjunction with the cinematic journey” (www.filmmuseum.at). A new, Anglo-German cinematic synthesis hovers over it all. Poised on the eve of the Thatcher/Kohl/Reagan era, “the drifters in these movies appear as prototypes of a post-Fordist lifestyle. Always keeping a certain distance, they bear witness to a crumbling 2 industry…the postmodern transformation of cityscapes, and a changing social order” (www.filmmuseum.at). Radio On anticipates a dissatisfaction with the traditional direct realist message that would come to typify British cinema in the 1980s. One may well argue that Radio On heralded the onset of an entirely new aesthetic in the British film canon. John Hill wrote that films such as Radio On introduced a fundamental shift in both technique and content. “Significant changes took place in the socially aware British cinema in the 1980s in terms of both aesthetic strategies and thematic concerns, which meant that it was no longer possible to describe it as ‘working-class realism’” (Ashby & Higson 2000, 275). Radio On marks a break both with linear storytelling and with the traditional concern for working-class culture and values, though one may well consider Radio On an “underclass” film, though one that breaks new ground in terms of technique and content. The extended, gloomy and foreboding opening shot through the the flat of R’s dead brother introduces us to something unmistakably new, announcing as it does a startlingly different narrative approach. Subsequent panoramic vistas provide a dark, running commentary. “Between them Petit and Schafer attempt to remake our understanding of British urban space, much as Godard discerned contemporary Paris’s futuristic foreignness in Alphaville” (Patterson 2004). Minimal dialogue imbues the film with an atmospheric vacuity, into which point-of-view has free rein to impose itself on the story. Petit and Schafer have left the convention of dense and layered story construction of traditional post-war British cinema behind, fading into the dim past like the crumbling edifices that B can see in the rear-view mirror of his car. 3 The film’s arresting visual texture that speaks to another departure from Britain’s cinematic legacy. As John Patterson noted, Radio On was a film that defied categorization, even description. If ...Show more
Cite this document
  • APA
  • MLA
  • CHICAGO
(“Towards a New Aesthetic: Radio On and the Europeanisation of a British Essay”, n.d.)
Retrieved from https://studentshare.net/visual-arts-film-studies/55625-british-cinema-projecting-britain-postwar-to
(Towards a New Aesthetic: Radio On and the Europeanisation of a British Essay)
https://studentshare.net/visual-arts-film-studies/55625-british-cinema-projecting-britain-postwar-to.
“Towards a New Aesthetic: Radio On and the Europeanisation of a British Essay”, n.d. https://studentshare.net/visual-arts-film-studies/55625-british-cinema-projecting-britain-postwar-to.
  • Cited: 0 times

Summary

Toward a New Aesthetic: ‘Radio On’ and the Europeanisation of a British Film by (Name) Class Instructor Institution Date 1 Christopher Petit’s howl of existential angst represents much more than a stylistic and technical departure from the traditional British realist aesthetic…
Towards a New Aesthetic: Radio On and the Europeanisation of a British Film
Read Text Preview
Save Your Time for More Important Things
Let us write or edit the essay on your topic
"Towards a New Aesthetic: Radio On and the Europeanisation of a British Film"
with a personal 20% discount.
Grab the best paper

Check these samples - they also fit your topic

Music On Radio and Television
The article on Music on Radio and Television proffered significant events on the broadcasting media, specifically on radio and television. It relayed events in a timeline fashion that marked the beginning of music being broadcasted from the 1920s to the 1930s when radio licenses begun to be secured by various radio stations across the United States.
3 pages (750 words) Essay
Drawing on observations from the Polish-German borderland, critically examine the effects which Europeanisation - or EU-isation
An overview of Europeanisation will first be provided in order to provide the reader with an insight into what the process consists of. The concept and importance of borders will then be reviewed and a determination as to whether they prevent complete integration from being achieved will be made.
5 pages (1250 words) Essay
British Film Industry
According to Ed Buscombe, British film industry had always behaved in a restrictive way, when faced with the competition from the new medium of television. Also, then, BBC had an elitist view of the channel's responsibility and image and Head of Television Service, Norman Collins, had made it clear that BBC had no intention to turn into home cinema and show commercial movies, as it had much more serious responsibilities.
9 pages (2250 words) Essay
Listening to a new radio station
One would have thought that since I grew up on country music, I would have been able to get through this assignment. My father was a great fan of country music but I personally never bought into the notion. I can recall as a youngster being irritated instead of inspired by country music and after doing this assignment, I can honestly say that the irritation has not left or dissipated in any way.
2 pages (500 words) Essay
British Film Culture
One such factor is the regional representation as exemplified by the sit-com, the The Full Monty or the British film Last Resort. Considering its subject matter, The Full Monty comes across as an oddly innocent, sexless film. It's a comedy about male full-frontal exposure, or, as one character puts it, men prancing around Sheffield with their widgers hanging out.
8 pages (2000 words) Essay
Discuss the effects of Internet Radio on the radio landscape
1-16, 2004). Moreover, this advancement in technology, which has made our daily lives more efficient and self sufficient in all, respects, has transgressed profoundly in the last few decades. One of the most pivotal
8 pages (2000 words) Essay
Analyse Cast Away (Dir. Robert Zemeckis, 2000) in depth as an example of New Hollywood and examine film from industrial, formal-aesthetic and social-cultural-political perspectives
The opening sequence is set in rural Texas near a crossroads. A FedEx delivery van pulls into a ranch with a big overhead iron sculpture which reads Dick
20 pages (5000 words) Essay
Critical Communication Event on Radio
tion, the broadcast is utilized for pure entertainment but as the time passed, people realized the worth of radio broadcasting as for conveying political agenda and for similar other reasons. In our critical event, a person named Emery Orto who was refused to board the
1 pages (250 words) Essay
Radio
In 1887, Heinrich Hertz gave the insight on the electromagnetic waves of energy. Thus the unit of frequency was named after him as Hertz. In 1892, Edouard Branley invented that metal are more responsive to the electromagnetic energy. After fine study and
2 pages (500 words) Essay
Radio
Since the 1920’s, education shows became rampart with the explicit need to educate the masses. In recent times, some radio stations
4 pages (1000 words) Essay
Comments (0)
Click to create a comment
Let us find you another Essay on topic Towards a New Aesthetic: Radio On and the Europeanisation of a British Film for FREE!
Contact us:
+16312120006
Contact Us Now
FREE Mobile Apps:
  • About StudentShare
  • Testimonials
  • FAQ
  • Blog
  • Free Essays
  • New Essays
  • Essays
  • The Newest Essay Topics
  • Index samples by all dates
Join us:
Contact Us