This definition is diverse to incorporate all aspects that are attributable to art, and theories in meaning of art. The definition identifies functional perspectives of art’s construct whose basis is objectives and skills for generating desirable experiences among a target audience (Sceunemann 188) and identifies with Tolstoy’s perspective of art as an initiative that emanates from “sexual desire and propensity to play” and generate pleasure to an audience (39). My definition also values procedural aspects of art that focuses on the approach to developing a product. This perspective focuses on steps towards the functionalist perspective and is therefore more comprehensive. Historically reflective concepts of art that seeks to preserve culture and to communicate history together with manifestation concepts that may be derived from the other theoretical aspects of art is evident in my definition. Manifestations can be achieved through constructed “lines, colors, movements, sounds or words” (Tolstoy 39). My definition therefore is informed and is therefore acceptable to diversified opinions on
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