Monet was raised in Normandy and Eugene Boudin introduced him to painting. He joined Charles Gleyre’s Paris studio where he was the academic history painter; Monet was twenty-two at that time and he studied with other painters who became impressionists later. He got limited success in his early career and had just a few landscapes, portraits, and seascapes which were accepted at the annual Salons for exhibition in 1860s. He faced rejection and a lot of criticism that he took as a motivation to move forward. The subjects for Monet’s paintings were found in his surroundings such as people and places that he knew the best. His models were his first and second wife frequently. The landscapes he painted were the north of France to London which covered his journeys of moving. He often painted his home gardens and gathering places. His paintings had a unique objective that would always catch the eye such as signs of domestic relations. Monet followed the path of the Barbizon painters and adopted their commitment towards naturalistic representation and close observation. He extended that commitment and created his own style which included painting on large-scale canvases outdoors then completing the work in studio. He captured nature accurately and rejected the European conventions that governed composition, perspective, and colour. He enhances his work using vibrant brightness and unmediated colours; he adds a variety of colour tones for shadows and for traditional landscapes he uses light coloured primers.
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