The essay "The Last Supper by Andrea del Castagno, Leonardo, Tintoretto" compares three paintings - Andrea del Castagno, The Last Supper,1447; Leonardo, The Last supper, 1495-98; Tintoretto, The Last Supper, 1594. Del Castagno’s painting is one of the most distinct. It has a flat style, sharp angles and corners. All of this is in contrast with predominant style during the renaissance. This painting has no motion, no movement, and creates the sense in the viewer that they are looking into a sunken set of figurines. This static portrayal of Christ reinforces his importance historically. There is also something that recalls a Roman fresco about the piece, which also reinforces Christ as a historical figure set into a particular time and place, with historical importance. Da Vinci’s rendition of the last supper does not attempt to depict Christ in historical lights. This image attempts to cast Christ in a more human light. Da Vinci's last supper does not give Christ any particular sign of super-humanness, with only the wisp of a cloud suggesting a halo. Christ is given a position of importance, taking up the central portion of the image almost in its entirety, but there is nothing else that would overly separate him from the apostles. His clothing is similar in form and colour, he is not placed above the rest, nor does he have any sign of super-human lighting. Overall Da Vinci’s image depicts Christ in his humanity, reinforcing his human side and diminishing the supernatural.
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The essay compares three paintings - Andrea del Castagno, The Last Supper,1447; Leonardo, The Last supper, 1495-98; Tintoretto, The Last Supper, 1594. The last supper is one of the most important images in western art. It depicts Christ sitting with his apostles, the evening before his crucifixion…
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5 pages (1250 words)Term Paper
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