The Wire Episodes 1, 2 and 3 Institute: Date: Film Analysis: The Wire: Episodes 1, 2 and 3: Film writers use certain techniques to make their work more persuasive. The wire is no exception and it has actually done a very unique job of combining moving pictures, cinematography and language to put across a story that is so poignant and rich in style…
The aim of creating this atmosphere will be examined further in this essay. The authors to a greater extent manage to convince the audience on the authenticity of their story which they to a greater extent manage to convey in a gripping and very realistic looking film. The way they employ their styles and stick to the same repeated way of telling the story lends an air of reality to the plot. The story is delivered in a documentary like fashion and this really goes a long way in giving it the ‘real’ feel. The audience will as a consequence tend to feel more at home with the film as it seems to speak to their inner self and seams to take place in the audiences familiar settings. In The wire season four episode number two, we find that both the language and the visuals work simultaneously to help bring out the intended messages very effectively. For instance we find the language used by the characters tend to authenticate their specific roles in the scene; in the scene where snoop buys a nail gun, the dialogue between snoop and the hardware attendant brings out the stark difference in the worlds that the two move and live in; for snoop the street slang drawn out talk she employs, brings out the street authenticity the author intended and the correct clipped language of the attendant helps in bringing out the contrast and difference between the two characters. In this episode, the authors are trying to convey several messages and they go about this by using filmic techniques that are meant to enhance the audiences’ easier understanding of the messages both inert and overt. The episode starts off with starts off with political power play with Mayor Royce being caught in a compromising situation by Herc a member of his security detail and as such both are considering what action to take to benefit their respective careers. The main message that comes out from this scene is the politics of contemporary Baltimore and the way the filmic techniques are intertwined with the characters portrayal gives a wonderful end product where the audience feels that they are being let into the practices and lives of the high and mighty in Baltimore politics. In this scene, especially in the conversation scenes, the camera does not switch to the character speaking until that character has already commenced talking. This creates a feeling as though the cameraman didn’t know beforehand who is going to speak and when they will speak. The camera often seams to "sneaks up" on a scene as it is taking place. This creates the impression that we are eavesdropping on what is actually happening. This happens in the scene where the Mayor is caught having oral sex from his secretary and it enhances the viewers feeling that the two were caught unawares. The authors intended message from this was to portray through the techniques applied (especially the “sneaking up” on the mayor and his secretary) and the dialogue; the unalienable heady combination of power politics and sex with a degree of the powerlessness of some characters like the officer Herc. In the episode, the 4:3 aspect ratio chosen creates a feeling that the scenes are less inherently cinematic, which creates a more "real" scenario. It is very effective as it creates the impression that the scene is not actually a movie set bit rather it feels real. In the real like scenario ...
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