Additionally, there was enchaining or bonding. The images that he presents are very detailed with various planetary natures that are always in action. The central point of these images is to communicate to the pneuma which is the astral body of the human beings and also the spirit. The soul of the person who views these images is attracted by them and thus apprehends them thus giving the person knowledge and wisdom. Therefore, the emphases for Bruno is the fact that there are always chains and bonds formed that are capable of communicating to the human soul. The chains and bonds that are supreme he referred to as vincula in his magic. He further goes on to say that: “There are three gates through which the hunter of souls [animarum venator] ventures to bind: vision, hearing and mind or imagination. If it happens that someone passes through all three of these gates, he binds most powerfully and ties down most tightly” (Bruno, 1997, p.155).In her book, the death of nature, Carolyn Merchant attempts to document the ecological and economic changes that were ongoing in Western Europe in the late 16th and early 17th century. Sweeping changes in both ecology and technology made it possible for there to be material conditions which facilitated the existence of new ideas. Although she cautions that her argument does not wholly support that material changes did not necessarily lead to ideological changes, she says that there are some ideas that appear more prevalent than others in a given period of time.in time. Furthermore, she claims that some ideas like those associated with magic and an organic view of the world become less compelling whereas the mechanical approaches are developed and adopted. There seems to be a back and forth argument in The Death of Nature between the social conditions as well as material conditions associated with nature and science. The strongest ideas are however those that are in support of the
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