A Critical of Harper's Exhibit - Movie Review Example

Visual Arts and Film Studies a Critical Review of Harpers Exhibit   A film or a movie is a series of still images where an illusion of moving those images occurs through the running of a projector and then shown on a screen. The act and process of filmmaking is both an industry and an art. Films also include a graphic recording of the spoken words or music in order to accompany the images. These sounds are also known as optical soundtrack. Films are created by the specific cultures thus, are cultural artifacts. This is because they reflect their cultures and affecting them in turn. In this paper, therefore, a description of the film gallery will be explained and how it affects the culture of the people. In this case, a focus will be on Doris McCarthy Gallery where entre chien et loup of David R. Harper was exhibited. The paper will also evaluate and analyze the film as part of review in an effort to criticize its impact on people. “entre chien et loup” is a used to describe a multi-layered expression used to describe the specific time of day but before its expiry. The ideological framework of the movies aims at improving the culture especially in education and the nature. At this time, the lights are described to be dim such that one cannot differentiate a wolf from the dog or vise versa. The use of the animals was to illustrate the relationship of nature and the living thins. This means that, one could only see a walking creature but could not determine what it is. The exhibition expresses a threshold which is uncertain between the hopes and fears, familiar and comfortable and also between unknown and the dangerous creatures. As described by Doris McCarthy Gallery where it’s being exhibited, the David R. Harper justifies his interests in the forms and ideas of memorials that create a bond between the memories and the experience being gained in current moment. This paper therefore, criticizes the work of David R. Harper, Entre le chien et le loup as exhibited at the Doris McCarthy Gallery (DMG). Doris exhibits the work of Harper and describes as the taxidermy based sculptures and the prints which were embroidered. In this, the outline in Doris McCarthy Gallery explains that David Harper was referring to certain periods, the craft models and the embellishment that articulates the links to the natural world. She also continues to describe the Harper’s speech to the intersections of both personal and also the universal mythologies, liminalities and identities. According to DMG exhibition, it describes that Harper also engages in dialogue on the metaphoric weight that the objects presents both the emotional and historical facts. The literal entre chien et loup of Harper is a French expression between dog and wolf which means something which is neither one thing nor the other. It is neither a neo-classical chamber symphony nor a conventional large scale symphony. As described in DMG exhibition, the title of the presentation refers specifically to the time of the evening when the light of the day has not gone completely and not yet fully dark. But the objects which are familiar take on an almost unreal cast. It is a time when one can almost sense the ancient but the day to day process of the creation, where the physical nature of the world is shadowed by the metaphysical one. One can reasonably argue that allart existed at the moment of the real world and the dreamtime. The exhibit also marks the beginning of the four venue exhibition tour. The explanation also complements the facts of the dimming success of the dreams of the people to have visual shows from the audio. Some music composers of Eastern European like Henryk Gorecki and Arvo Pärt were described as among the top pioneers in bringing the dreams of the film industry to be true. They successfully composed the rhythmic foundation as an intricate and subtle like any Western Jazz or more modernist styles of classical. Some exhibitions like the Doris McCarthy Gallery (DMG), seeks to improve the usefulness of the films by reviewing and giving the important updates of the specific film. This is through the reviewing by compiling them in order to have a general reception which the film receives. The Doris McCarthy Gallery (DMG) need to embrace the change of technology and have live exhibits on online platforms where one can book a chance at any time in order to avoid the travel and time consuming. This is especially for students and other scholarly researchers. Such tactics can help the film industry to fill the gap between the Independent film makers. There are several aspects which Harper considered in filming. They included the witching hour. Even though the witching hour can describe the time, the author seemed to relate to what things happen at that time. The work time of ghosts and goblins that creates an evil thought to the audience. In time aspect, it can show lateness or dreaming time which can describe the imagery. The dog and a wolf, as the title can be translated, and the time being described means the day for the film industry has come but in an omniscient mode. One can’t be able to see well but it is factual that the darkness has come. The author of the film is much theoretical as it lefts the audience to interpret some meaning of the some clips. The Doris McCarthy Gallery (DMG) also made a tremendous job in making the gallery to be academic in order to promote the techniques and give more information to scholars about the industry. The gallery also opens a room for criticism of the films to the fans hence giving the members of the public a chance to discuss and recommend about the movie. This helps especially the stakeholders of the film in making the necessary correction or receives a good idea which they can use to improve the aspect and scope of the movie. The author also used the animals since they have mounted and stuff traits in order to stand as sacrifices and simultaneously serve as a reminder to the death. This death is described to be unavoidable part of life to every living creature. Some are even compelled to control, capture and preserve that life. The Doris McCarthy Gallery played an important role in exhibiting films especially for educational gains to students and scholars. As can be described by the David R. Harper in Entre le chien et le loup, the gallery roles is just a beginning of industrious change in film sector. Doris McCarthy Gallery played an important role giving a room for promoting the artists by collecting, presenting and disseminating the contemporary art in all media since it’s their mandate and goals to do so. The gallery, in the other hand, plays an important role on the culture of the people as it promotes the work of artists as they are given room to showcase their exceptional merit of their careers from different contexts. It also acts as resource and an archive center of contemporary art for educating the communities and art for academic improvements. The film by David R. Harper was for academic purposes and many scholars and students converged for a sight from different parts of the country. The gallery was a place of scholarship through symposia, workshops, residencies or even for other projects that encourage the dialogue, provide new skills and also add experiences to the contemporary arts. According to Glyn (163-178), the visual culture such as the films gives a set of ideas on some account such as the social world, the relationship between the ideas to the way the social power is distributed and also poses as natural values to the people. Glyn quotes that “The ideas of the ruling class are in every epoch the ruling ideas”. This means that, the visual culture arms the learners with a new set of ideas as part of improving the culture of the people. He also says that “class which is the ruling material force of society………The class which has the means of material production at its disposal and has a control over the means of mental production.” In this quote, it’s evident that the visual culture varies in time although no one can determine its evolvement trend. Works Cited Glyn Davis, Exploring Visual Culture: Definitions, Concepts, Concepts. Edinburgh University Press, 2005 Read More